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8 January 1836 – 25 June 1912. Most renowned painters.

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PELLEGRINI, Giovanni Antonio
Allegory of Sculpture sg

ID: 08481

PELLEGRINI, Giovanni Antonio Allegory of Sculpture sg
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PELLEGRINI, Giovanni Antonio Allegory of Sculpture sg


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PELLEGRINI, Giovanni Antonio

Italian Rococo Era Painter, 1675-1741 Italian painter. With Sebastiano Ricci and Jacopo Amigoni he was the most important Venetian history painter of the early 18th century. By uniting the High Renaissance style of Paolo Veronese with the Baroque of Pietro da Cortona and Luca Giordano, he created graceful decorations that were particularly successful with the aristocracy of central and northern Europe. He travelled widely, working in Austria, England, the Netherlands, Germany and France.   Related Paintings of PELLEGRINI, Giovanni Antonio :. | Rebecca at the Well | Rebecca at the Well | Allegory of Sculpture sg | The Nativity with God the Father and the Holy Ghost | Mucius Scevola before Porsenna |
Related Artists:
oranien
han mordades 1584 pa uppdrag av filip . i ett hus som idag ar museum over det nederlandska frihetskriget se
Jacob de Backer
(c. 1555 - c. 1585) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585. According to the RKD he was born in Antwerp in c.1540/45 and died there c.1591-1600.De Backer was abandoned by his father as a young boy. Carel van Mander reports that the artist studied with Antonio van Palermo and Hendrik van Steenwijk I, but that Palermo worked him so hard that the young de Backer died in the arms of his master's daughter at the age of thirty. Although the artist painted in the high mannerist style of Giorgio Vasari, he never appeared to travel to Italy. A series of the "Seven Deadly Sins", however, was bought in Antwerp by Alessandro Farnese's secretary Cosimo Masi in 1594 and taken to Italy.These paintings are now in the Museo di Capodimonte in Naples. Other attributable works include a Last Judgment triptych by him or his studio for Christophe Plantin's tomb in the Antwerp Cathedral (c. 1589; illustrated right), and an Allegory of the Three Ages of Man in the Hermitage Museum, St. Petersburg. He is not to be confused with the Dutch Golden Age painter Jacob Adriaensz Backer from
ESCALANTE, Juan Antonio Frias y
Spanish painter, Madrid school (b. 1633, Cordoba, d. 1670, Madrid)






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